My
Work

In this short documentary titled "Kelly's Canvas: Where art meets the skin," myself and my two teammates, Collin Yeung and Joy Li, venture to Toronto to capture the compelling story of Kelly, a gifted tattoo artist. We delve into how her artistry serves as a form of storytelling, self-expression, and a means of giving back to the community through her passion for providing free scar cover-ups. During filming, we explored the bustling streets of the city, immersing ourselves in the noise and ambiance that Kelly encounters daily. Stylistically, we drew inspiration from the visual aesthetics of Wong Kar Wai’s film "Fallen Angels," aiming to evoke a similar sense of intimacy as we delve into Kelly’s life and career. While each of us contributed to every aspect of the production, I primarily took on the roles of director and cinematographer.



































Drawing 1

In my digital painting titled "Shades of Self: Navigating Colourism in Asia," I aim to shed light on the complex issue of colorism within Asian societies.


To provide context, in Asian cultures colourism can be traced back to classism, where lighter skin was associated with privilege and status. This is because individuals with lighter skin were often those who did not have to work in the sun, such as aristocrats and the upper class. As a result, having lighter skin became associated with wealth, privilege, and beauty. Contrastingly, those with darker skin tones were often associated with lower social status and poverty, which led to Asians with darker skin being called dirty, poor, or “monkeys” (Barnes 2021).


The beauty industry in many Asian countries has played a pivotal role in perpetuating colorism through the promotion of skin-lightening products, creating a multi-billion-dollar industry that reinforces societal biases (Mather, 2021).


My artwork depicts a Rubik's Cube as a head with different tones and shades of skin, while the accompanying hands symbolize the societal pressures and expectations prevalent in Asian culture. Through deliberate color choices, I aimed to create a visual juxtaposition that draws attention to both the central subject and the hands. The Rubik's Cube serves as a metaphor for the manipulation and categorization Asians often face based on their skin tones, confining them within societal boxes.

Drawing 2

For my piece entitled "Escape With Me," I drew inspiration from Studio Ghibli's renowned film "Spirited Away." Studio Ghibli's animated masterpieces played a significant role in my upbringing, with films like "Howl’s Moving Castle," and "My Neighbor Totoro" holding a special place in my heart. These movies served as a refuge for me during times when I needed to escape from reality.


Hayao Miyazaki, the visionary behind these films, meticulously crafts each frame by hand, investing countless hours into ensuring every detail contributes to the immersive world he creates. His dedication to bringing his fantasy realms and characters to life imbues the viewing experience with a profound sense of intimacy. The depth and richness of his storytelling extend far beyond the confines of the screen, captivating audiences and drawing them into his intricately crafted worlds. It was Miyazaki's unparalleled talent for immersive and unique world-building that resonated with me when considering the setting for this assignment.